Michelle G Brown | Mixed Media Art

Interview with Mixed Media Artist, Seth Apter

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This article was written by Madeline Faiella

Seth Apter is a mixed media artist who seems to know what it’s all about.  I was able to tie down this busy man long enough for this interview.  I think you will find it interesting, inspiring and fun to read.

MF:  How did you become to like mixed media art?
SA:  There is both a freedom and a challenge in working in mixed media that have always been very compelling to me. The freedom lies in the fact that there is literally no limit to the materials and techniques that can be used. The challenge lies in the same place in that the endless choices need to somehow be self-limited, blended, and ultimately transformed into a cohesive piece of art. I find the creative possibilities in this process endlessly exhilarating.

MF:  What is your definition of a true mixed media piece?
SA:  The technical definition of mixed media art is simply a work that is created using more than one media. For me there is a deeper, more complex nature to mixed media that is quite challenging to put into words. I always have trouble adequately describing it to others. There is a story and a sense of history that can found in the layers of materials that make up a mixed media piece. There is a process of concealing and revealing that goes into the work that adds elements of mystery, energy, and excitement. Every layer, even ones that are not visible in the end, is equally important and integral to the final piece.

Interview with Mixed Media Artist, Seth Apter
MF:  What is your favorite part of working?
SA:  The process of making something from nothing is what it is all about for me. I absolutely love the hunt, whether for found objects, art materials or new techniques. I love the initial moments when an idea comes and a sense of excitement and possibility is sparked. Finding other elements to add to the work and dealing with the challenge of making all the layers and disparate components seamlessly blend is always an exciting challenge. And finally being able to step back and see the results of the entire process complete is thoroughly satisfying.

MF:  How do you set up your studio for working in a nurturing / empowering environment?
SA:  My studio is as much an art installation as it is a workspace. I surround myself with my many collections and finds, artwork of my own and other artists, creative objects that I have been gifted, and an expansive inspiration-wall filled with stuff that both has personal meaning and keeps me inspired.

MF:  How long have you been an artist?
SA:  I came to art relatively later in life, beginning in 2000. At some point since that time, I began to label myself an artist rather than somebody who is simply playing around and making things.

MF: What influences do you have?
SA: I have endless influences including the environment and energy of NYC where I live as well as a large group of artists whose work can be found anywhere from museums to blogs and from galleries to the walls of abandoned buildings.

Interview with Mixed Media Artist, Seth Apter

MF:  How do you engage with your audience?
SA:   I feel strongly about connecting to and engaging with people in terms of my art. I have an online presence that allows me to do this daily via my website and blog, as well as through Facebook, Twitter and Instagram. Not only do I share finished artwork, but I share works in progress, behind the scenes glances, photos from my workshops, my experiences as an artist living in NYC and the artwork of the many other artists I admire. Those who follow me online know that I do my very best to respond to every comment and email I receive. I am also fortunate to be able to connect with many people in person through my frequent workshops. I fully believe that without the community that has resulted from these connections, I would not be a working artist today.

MF:  How do you keep your authenticity while working?
SA:  I do my best to remember that regardless of the nature and purpose of any particular project (be it a journal page, an artwork for exhibition or submission, or a blog post), ultimately I am creating both from and for myself. What I do has to be an expression of me or it is not worth doing.

Interview with Mixed Media Artist, Seth Apter

MF: How long did it take for you to develop your voice as a mixed media artist?
SA: I feel that while I have a strong point of view and have been told that I have a recognizable style, I am still and will forever be developing my voice as a mixed media artist.

Thank you Seth

Seth Apter is a mixed media artist, instructor, author and designer from New York City. His artwork has been shown in numerous exhibitions and published in multiple books and magazines. He has two books (The Pulse of Mixed Media and The Mixed-Media Artist) and two DVDs (Easy Mixed Media Surface Techniques and Easy Mixed Media Techniques for the Art Journal) released by North Light. His workshops have been held throughout the United States, Mexico and Australia. He is a designer member of CHA, a blogger for Spellbinders Paper Arts, a stencil designer for StencilGirl Products, and has an ongoing column called The Creative Pulse in Cloth, Paper, Scissors magazine. You can see more of his work on his blog at thealteredpage.blogspot.com and on his website www.sethapter.com.

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Madeline Faiella is the owner of Madeline Faiella Designs, LLC.    She works traditionally and digitally in Photoshop and Adobe Illustrator.  Her work is featured on home décor, electronic devices, stationary, fabric and more.   She is licensed, published, appeared on TV and radio and has written continuing columns for newsletters.  She also has a line of non-toxic acrylic paint “Art Jacket”   Her art education hails from The School of Visual Arts in Manhattan and the many years she absorbed during her years of travel around the world.Her work is available for purchase and for licensing. See more her work at www.madelinefaiella.com

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Journaling on the Quick

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This article is written by Debbie Davis

I like to keep a number of painted backgrounds at the ready in my journal books for when I don’t have a lot of time but am feeling the need to journal.  One of my favorite journals is a vintage ledger binder that I picked up from an antique store.  The ledger pages had never been used.  I sometimes keep a few of the pages handy when I’m working on other projects and use any leftover paint on them to create a background.

I had just returned from a beach vacation and was starting to think about all that needed to be done at home and work, but what I really wanted to do was journal.  I didn’t do any art or journaling on the trip and was really missing it.  Since I didn’t have much time, I used a previously created background.

Journaling Image

This background was made by randomly scraping pink, yellow and blue/green paints that had been loosely mixed with some white fluid acrylic paint onto the ledger journal page using an old store card.  The colors were so calming and reminded me of the beach.  I then remembered a vintage photo that I had been wanting to use in my journal for a long time.

Journaling Image

I copied and pasted the photo into a Word document and resized it so that it would fit on the journal page.  I printed, cut out and collaged the photo, along with two little beach cabanas that I had cut out of scrapbook paper, onto the page.  I outlined the photo and cabanas with a Stabilo pencil and lightly went over the pencil with a wet brush.

Journaling Image

Next I wrote some words onto the page with the Stabilo pencil.  The black penciled words were standing out more than I wanted so I took a white gel pen and scribbled over the words to tone them down a bit and give them a washed out look.  This page was so quick and easy, yet I still felt that sense of contentment that I usually feel after getting in some artful playtime.

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Debbie Davis is a mixed media artist living in Morton, Illinois.   She finds creating art to be a wonderful stress reliever and plays in the paint and other mixed media mediums every chance she gets.

You can find more of Debbie’s art and techniques by visiting her In Art Therapy blog at inarttherapy.wordpress.com

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Mixed Media Decor Pillow

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This article was written by Melanie Statnick

When I go to home décor and craft stores I see an abundance of items for the home that I can create myself with more flare and personal touch. Decor boxes, wall art, candle holders, garden and décor pillows. Sure not all of us can work a sewing machine, believe me it took me a few times to figure out what I learned in Home Studies from high school and that was many moons ago. Thank goodness for instruction books and DVD’s that come with most machines today. I still managed to pop off a needle, (don’t ask).

I bought a sheets of burlap and canvas squares. These can be found in the scrapbook paper aisle. To make a small pillow you’ll need one of each or 2 of each depending which fabric you’ll want to play with. I used one sheet of each to make one pillow. The art will be on the canvas side.

using canvas, burlap, ink and stencils to make a décor pillow for your home or gift

: using canvas, burlap, ink and stencils to make a décor pillow for your home or gift

I used a stencil on this pillow. Lay your stencil out in the section you want and I used ink spray for this in pink and blue which gave a purple affect. I thought the speckled boarder from the spray gave it a little character. I also used a light glitter mist over the stenciled design.

using canvas, burlap, ink and stencils to make a décor pillow for your home or gift

using canvas, burlap, ink and stencils to make a décor pillow for your home or gift

If you do not like the fine mist around the design because it looks messy then cover your edges with scrap paper, but what is Art if not messy?  I then used fabric glue then added a boarder of lace ribbon to fame the design and glued some buttons on the corners. Let dry for 24 hours before adding the stuffing to be sure it’s ready. I sprayed it with a fabric sealer after to avoid any running of ink, should I need to spot clean. Happy Creating!

using canvas, burlap, ink and stencils to make a décor pillow for your home or gift

using canvas, burlap, ink and stencils to make a décor pillow for your home or gift

using canvas, burlap, ink and stencils to make a décor pillow for your home or gift

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Artist Melanie Statnick is a Published Artist/Writer out of North Carolina who writes and creates art daily from her private studio.

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Focal Points in Mixed Media Art

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This article was written by Madeline Faiella

Emergence

We talked about telling a story with mixed media art and now let’s talk about adding texture.

Emergence

I chose this piece to explain the process because it’s easy to see what I did.  This piece is 3 feet tall and 2 feet wide but try it on a smaller surface if you like.  The surface I used is actually a court room board that an attorney let me have to which I added a base of white paint and gesso.  It’s great when you can re-use something.

The face in this piece is done on paper, painted with acrylic and attached to the base with gesso.  I applied gesso and molding paste in layers across the base surface and around the face in light, graduated layers using a wooden stick.  It’s vital that the edges of the face “live” within the background so lighter layers are better.  Sometimes I add color to the gesso and/or molding paste but in this case I started with clear and let it dry thoroughly.  When applying many layers, drying is very important.  This piece took a while to complete because the humidity here in South Florida can make it very difficult for drying even with the air conditioner on.  Leave your piece to dry overnight between layering to ensure that it’s very dry.

Layer after layer I created my piece with careful planning yet enough spontaneity to keep it free.  I used a trowel and molding paste colored to my desired color and ran it over stencils, burlap and other means of textural items.  Keeping the colors in mind, step back from your work each time you add another layer or item.  Build layer by layer.  The bags that hold oranges make a great textural tool.  Be creative and see what’s around your studio.

Try new things, keep it layered and have fun.  Happy arting.

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Madeline Faiella is the owner of Madeline Faiella Designs, LLC.  She is a “tradigital” artist.  She works traditionally and digitally in Photoshop and Adobe Illustrator.  Her work is featured on home décor, electronic devices, stationary, fabric and more.  Her arsenal of tools is broad and her work varied.  She is licensed, published, appeared on TV and radio and has written continuing columns for the art and creative community.  She has a line of non-toxic acrylic paint “Art Jacket” with Earth Safe Finishes.  Her art education hails from The School of Visual Arts in Manhattan and the many years she absorbed cultural enlightenment globe-trotting during a 23 year singing career.  She’s been drawing, sewing and making since she was a child. See more of her work at www.madelinefaiella.com

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